"The diplomatic origins, so-called, of the War are only the fever chart of the patient; they do not tell us what caused the fever. To probe for underlying causes and deeper forces one must operate within the framework of a whole society and try to discover what moved the people in it." --Barbara W. Tuchman The fateful quarter-century leading up to the World War I was a time when the world of Privilege still existed in Olympian luxury and the world of Protest was heaving in its pain, its power, and its hate. The age was the climax of a century of the most accelerated rate of change in history, a cataclysmic shaping of destiny. In The Proud Tower, Barbara Tuchman concentrates on society rather than the state. With an artist's selectivity, Tuchman bings to vivid life the people, places, and events that shaped the years leading up to the Great War: the Edwardian aristocracy and the end of their reign; the Anarchists of Europe and America, who voiced the protest of the...
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"The diplomatic origins, so-called, of the War are only the fever chart of the patient; they do not tell us what caused the fever. To probe for underlying causes and deeper forces one must operate within the framework of a whole society and try to discover what moved the people in it."
--Barbara W. Tuchman
The fateful quarter-century leading up to the World War I was a time when the world of Privilege still existed in Olympian luxury and the world of Protest was heaving in its pain, its power, and its hate. The age was the climax of a century of the most accelerated rate of change in history, a cataclysmic shaping of destiny.
In The Proud Tower, Barbara Tuchman concentrates on society rather than the state. With an artist's selectivity, Tuchman bings to vivid life the people, places, and events that shaped the years leading up to the Great War: the Edwardian aristocracy and the end of their reign; the Anarchists of Europe and America, who voiced the protest of the...